Tras la pista de una experiencia: Sistematización del montaje conjunto bajo la modalidad virtual Mujeres y ¿Godot?

Abstract

In this degree work, the experience of the creation process is systematized, under the virtual modality, of the work Mujeres y ¿Godot? fruit of the academic spaces Ensemble Ensemble in Theater and Dance of the Antonio Nariño University. In which a reflection is made from the reconstruction of history, highlighting the aspects and stages that contributed to the creation, highlighting the socio-cultural factors of indigenous, Afro-descendant and rural women within the Colombian armed conflict, a theme that was located in the dramatic arrangement of the play "Waiting for Godot" by Samuel Beckett.